







On the 14th October we had a lecture with Tiffany Singh, an artist that is alive with her artwork, through the meaning of colours. Singh has transformed her artwork by interacting with a lot of people and has been working extensively. She has also been volunteering working in Aotearoa, India and Nepal and especially Samoa. Her practice is sculpturing and she also uses music and in her artwork she uses wax to make Buddhism and other religious stuff in her art. (My view) In her practice she uses a formula she made up for her practice, Singh is very interested at what people would do if they exchange stuff for her artwork. The colour she uses in her practice reminds me of the colour of the rainbow and that her art is also seems to feel so alive is because of the colours she uses in her practice. Singh also says ‘that the colour is what blinds everything together’ I really don’t understand but I have a feeling what she means by it. Every time I look at a colourful paper my eyes seems to can’t stop staring un-till my eyes start to blur and that I can’t see straight. But in her case she uses the seven chakras system, (my point of view) a meditation method use from monks to concentrate to adapt energy inside of them. They use nature or elements or religious stuff. This is the meaning to the colours she uses in her practice is that when she makes an sculpture of the virgin Mary and other gods she uses the colours to embrace the Gods (which means every colour has a meaning to its own purpose).
My favourite colour is Green because it’s the colour of freedom. The reason why I choose this colour is that its one of my personal life and that it would stop the discrimination around the world and stop wars like killing other people or judging others and that this colour would bring us together as one.

Last week on the 6th October we had a lecture, her name is Fran Allison and contemporary New Zealand jeweler. Her practice involves a lot of collaborate, she also specialize jewelry. Fran is interested in collecting pre-existing objects, that relates to her work. Some objects that she finds comes with an already established history and once Fran finds these objects she then likes to mess with the history/ reading in some way, and that it challenges her to reconstruct the figure found fragments that she obtain. Her most recent jeweler addresses ideas of re-formatting past and history. In her collaborate history, she work with many artists; she is also in a group called Weed (a group of New Zealand artist involves in objects and jeweler), collaborate is a group of artist with many different unique ideas, it is important if you are going to work with partners because you must participate and co-operate as one. Fran describe how collaborate works, she is interested in making work and progress and listening to other peoples ideas and giving tips to how they could develop that idea. I like how Fran uses collaborate because I can understand the aspect of it and how she is influence from many areas including other artist that associated with her. I found this inspiring myself because having an team is good, because they help you improve skills, they also develop your ideas and push it even further, I really do like Fran’s artwork because working with a group of artist, working together as one team is a BIG influence, because you can also look up to one another and be by each other sides.

On the 29th September, we had a lecture that came to our class, she talked to us about her practice and how it work. She also talked to us about her experiment, ideas/themes, and her research, what materials she uses, relationships and outcome/outputs. Crowe love for art is amazing she has made art unbelievable. Crowe done her research, her artwork in sculpture is something, when I first saw Crowe artwork, I believe it was beautiful, the structure of her metal/steel weaving because she also told us 'she also loved constructing weaving'. In her weaving she likes to use many random materials/media like use of light, wood, steel, metal, text, patterns, flowers and other things that relates to her practice. Crowe also loves large things like scaffolding, fabric and frame structure of a building or a bridge too, she also has this weird interest thing when she was little, she got locked into a cabin or something, and she would imagine herself in another world, where she thinks and uses her imagination. Crowe big influence was her mother, she was a very good sewer and weaver as she made and repaired their clothes when they were little.


After Deborah Crowe talk, we went to a Gallery in Mangere Town Centre called Nga Tohu o uenuku. This Artist we went to see was similar to Crowe artwork but the material they use were completely different but they were also sculpture artist. The artist name was Sopolemalama Filipe Tohi; he immigrated into New Zealand in 1978, and has been sculpturing wood, stone and steel since 1992. His artwork explores the pattern of lalava, an old Island tradition, using of joining and binding materials together. One of his artwork was a lalava/ sennit Haukafa; it is the name of Tongan tradition binding methods. The lalava is usually done with two colors, while weaving. “My work transforms the technology of the past into a modern representation of identity and experience.” Yes I really do I agree what Filipe saying, he is transforming his ideas and making/ expressing the Polynesian heritage, while he is constructing many new things that relates to what he wants to do for the community. Like I said again I really LOVE, and admire this artist artwork. I love his passion to art and how he expresses it in his own way.




On Thursday 8th September we had Grant for today lecture and he came to talk about form and function. He said 'dose form follows function' or 'function follows form'. "In my point of view, I believe that form follows function because without function the form will be useless and wont exist." (Here is an formula that Grant showed me.) It represents form follows function.

Grant showed us many examples like, water falls, Jugs, buildings, chairs etc. The reason why he showed us these examples is to make us understand that form is nothing with out function. He also told us about a man called Bauhaus and Louis Sullivan, Louis was the one who figure out to prove that form follows function, he said 'high buildings lacked unity. They were built up in layers' and with the layers he used to build a skyscraper in 1890.
My first time visiting the Auckland Art Gallery, and my impression for the gallery BLEW my head away because all I could do is say WOW! its freak-en AMAZING! all I did is look left, right, up, and down, felt like my world was spinning too fast. All I can say in my head that everything was here, the building was good, the style of the building was excellent and the Artwork was outstanding. In my head I said, this is the Gallery I love the most! While I was walking around the building something hit me that I couldn't stand in one spot and all I could do is keep moving and moving because looking at the building and art work kept me going. It felt like I wanted to start over again from where I started.




Emma Mclellan

Sarina Brewer





The work of Leilani explores about Richard Kake (Leilani father) and his Ta moko( Maori facial tattoo) and his last breath where he ends at their Northland family Marae, where he laid to rest. I choose to discuss about Leilani father because Leilani presented to the class about her father that Richard Kake was a BIG IMPACT in her life. This film/ documentary speak about her father being the strongest supporter of her Artist practice, because he is always being consisting o be filmed. Mr Kake said "he felt it was his obligation to record the living culture and history of tangata whenua(family)". This film/ documentary shows an effect, an heart felt, emotional loving film about the death of Leilani father, while i was watching this film, this made me feel apart how Leilani feels because i too lost someone close to me, my grandma, this film made me feel close to Lielani film.
How has Mery used collection or a display?
In Merry work she puts a lot of effort in her art work and presentation when she was telling us about what she does and do in her life as a jewelry artist and what she finds out, she can use to display on her work. Merry uses a lot of features like brooches, rings, earrings and necklaces etc, which all focused on her experimental and her exploring direction with in her collection, because she said she use many techniques she show us about Art. Its interesting looking at her art work because she inspires me when she was presenting to our class today. She takes photos of a lot of her art work while working on her jewelry designs, thats why i am fascinated with her art work.
what is your experience, postive or negative of an artwork or collection?
My experience to artwork is sometime negative and positive, because there are many things that i don't know about art. Mary talks about many things in what she does and think about collecting stuff that makes art. In my thoughts in my head, I never knew that collecting many stuff like objects and materials in the streets could be Art??
In my experience when I was young, I look back into my mother and father history where they came from, in the Island's called Samoa. Samoan people are very easy to tell, for example, there Traditional patterns, how we dress, the way we talk and many things. But I am always happy and positive of our cultures patterns and fascinated where it came from? and how it was use to tell many stories in the form of Art? I don't know the answers but i know that it all began from our ancestor back in the days. I am always positive when it comes to the Art of samoa, especially when it comes at looking at the patterns, how they collect patterns and objects and form it into a 'story telling sequence' (like reading comic books). I know an Artist who does the same thing as using patterns to tell story's too, his name is John Pule and his methods are similar to the samoan Art form, but the difference is that Mr. Pule talks about his life.
FRANCIS HANSEN